For Farah Khan, jewellery design begins with experiences gathered across the world. Travel is not simply movement — it is observation, absorption and connection. Each journey offers new textures, colours, forms and emotions that later find their way into her creations. Inspiration arrives unexpectedly: in the arch of a palace doorway, the symmetry of a courtyard mosaic, the curve of a coastline at sunrise. These impressions are quietly collected — like memories held in the mind long after the moment has passed.
Across continents and cultures, certain details stay with her.
The ornate geometry of Moroccan zellige tiles.
The intricate jali latticework of Jaipur.
The pastel blues and whites of a Mediterranean morning.
The rhythmic mosaics of ancient Persian architecture.
These influences do not translate literally into jewellery.
They are reinterpreted — distilled into something more abstract, more emotional, more timeless.
A palace arch becomes a refined gold silhouette.
A mosaic becomes a subtle diamond pattern.
The colours of a landscape become a gemstone palette — lapis like deep ocean, pink opal like fading dusk, citrine like a sun-warmed courtyard.
Inspiration is never copied, it is transformed.
At the heart of each creation is a conversation between travel and culture — how the world is experienced, remembered and expressed through design. The jewellery becomes a reflection of places felt deeply, stories carried within and beauty understood beyond what is seen.
Farah Khan’s work is shaped by discovery and refined by interpretation.
Each piece holds a quiet sense of elsewhere — familiar to those who have wandered and inspiring to those who dream of it.
These are not just jewels.
They are memories designed to be worn.
